3615 безплатни аудиофайлове за "C Sharp Major"

Septimal minor triad on C (C,E7b,G or 6:7:9)

Persian scale on C.

Ninth vs added-ninth chord.

C majorΕλληνικά: Η συγχορδία ΝΤΟ μείζονα

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Major second on D.

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

Aeolian mode on C. No pitch bend.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

C harmonic minor scale ascending and descending.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

Ninth augmented fifth chord on C.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

F major scale played on western concert flute F-durskala spillet på tværfløjte

Rule of the octave, major scale.

D chord in all fourths tuning.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Recorded and performed instrumentally by the U.S. Navy Band and featured on the 2006 album World Class Marches.

Bad guy/"Villian" motif/riff.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Neapolitan minor scale on C - as MIDI

Schubert Quartett-Satz in C minor, opening bars

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

Recording of a symphonic brass chime, note c#.

This frequency is 136. 1 hz, or a c# if a=432hz. C# is often considered the "om tone", as there is some evidence that tibetan buddhist monks and others base their chants on this note. More info here: http://sonicfabric. Blogspot. Com/2012/01/432-hz-pythagoras-and-om-1361-edition. Html.

Bach C minor Passacaglia ground bass